Tuesday, April 8, 2014

The Alphabet in My iPod Part 3: F

Day 6: F is for Faure, Requiem: Opus 48

My grandfather was a man of sawdust and sweets, skinny legs and cardigans. Grandpa could fix just about anything.  He worked for the railways as a communications technician and throughout his life developed skills in carpentry, woodturning, electronics, building and lock-smithing just because he could. He had a workshop in his garage, where tools hung in the right place on a painted backboard and where blood blisters were inflicted by old-fashioned vices. Furniture was always being created, assembled and finished off in that workshop, and my siblings and I would play with the sweet smelling curls of the wood-shavings until we shredded them into dust. I can still breathe in that smell and recall that garage. Everything, including grandpa’s dark blue overalls, was spattered with varnish, paint and woodworking glue, the smells of which added their astringent notes to the deeply woody scent.

Behind the door of the garage hung an old canvas bag with a rope threaded through its top. The bag was filled with tennis balls, old and new, and it was where we checked for the tools for whatever game we might need to play in Grandpa’s backyard, as long as we could avoid the apple tree, plum tree, crabapple tree and vegie garden, replete with red and yellow tomatoes which could be filched at any time with his blessing.

Grandpa had his teeth removed when he was young – he loved to take out his dentures and flap his bare gums at us as little kids to provoke shrieks of terror and mirth combined. “Give us a kiss!” he’d flap at us, grinning maniacally. I’m not sure why he had his teeth out: I believe the cost/benefit analysis of being toothless versus paying for fillings over a lifetime appealed to his pragmatism and he was equipped with false teeth therewith. Mind you, he told us kids it was so that he could eat all the lollies he wanted, which he did. He would do a special trip to a wholesale outlet once a week – Dollar Sweets – and would come back to Hazel Street, Camberwell and fill up his lolly jars. He always, ALWAYS had a roll of peppermints in his pocket or about his person, and when other adults weren’t looking would whisper conspiratorially, “Want a pep’mint?”. After his death my mother, grandmother and aunt went through his clothes to pass on to charities, and found peppermints in almost every pocket of his trousers, cardigans and jackets. They laughed and cried in equal measure, but they weren’t surprised.

Grandpa was down to earth, had a strong work ethic and a deep-seated sense of justice. He didn’t like anyone to fuss over him but he was happy to heap praise on us grandkids. He rewarded me with $2 for every A-grade I achieved at school, and joked that I would send him to the poorhouse. He had principles and wouldn’t stand for nonsense. He was a teetotaler who got everyone drunk at mum’s 21st birthday party because he didn’t trust anyone to run the bar but himself. My own father, just starting to court my mother, did the right thing and alerted grandpa to the over-generous measures of alcohol he was dispensing and thereby averted potential disaster.

Grandpa was a passionate Hawthorn supporter. He spent many years with my grandma sitting at Glenferrie Oval watching the Hawks play, and in later years watching them on the telly. Grandpa’s hearing wasn’t what it used to be, so he always had the volume up REALLY loud. Unfortunately, for years he had heart problems including angina, and sometimes the footy would become so exciting he was worried about having a heart attack before he could find out the result. Grandpa set up a system in which Grandma would listen to the footy on the wireless while he worked away in the garage, and he would check in with her at the end of each quarter to get the score. If all went well with the Hawks, he could go ahead and watch the 6:30 replay without palpitations.

It was his heart that gave way in the end. We didn’t realise that for many years he was the one looking after my Grandma, Edna. He loved her dearly, and on their 50th wedding anniversary he presented her with a gold medal that he’d made. A man of few words publicly, he made a speech about how grandma deserved a medal for being married to him. On the day he died, grandma was feeling cold, which with her underactive thyroid was not uncommon. He brought grandma a cup of tea in bed to help her get warm, and when she said she just couldn’t get warm he said “Move over Ed, I’ll get in and warm you up.” And his gruff old heart stopped.

There’s a lot that’s inexpressible about my love for my grandpa, just as it is difficult to describe Faure’s Requiem without it seeming either maudlin or treacly, but it is neither. When the melody of part VII: In Paradisum played at the funeral and grandpa’s casket glided back behind the curtain, there was such a finality about it that broke my heart. But the music still plays, and in it are carried these precious memories of him.


I don’t know if my childhood memories are accurate or not, but they are part of my narrative for what they are worth. What I know for sure is how grandpa made me feel. Faure’s Requiem once made me let him go, but now it brings him back.

Tuesday, April 1, 2014

The Alphabet in My iPod Part 2: D & E



Day 4: D is for Dean Martin, The Very Best: The Capitol & Reprise Years

You may have already guessed from the classic middle-of-the-road eclecticism of safe music choices so far that I would be the owner of a large number of ‘best of’ albums. Somewhere in my childhood I must have been bitten on the backside by some pretty shit lesser-known tracks and decided that once the option was available I would only fork out my hard-earned for the good stuff: the BEST stuff. This will come across as heresy to any true devotees of music, particularly anyone raised on concept albums or writers of entire albums of music they know full well their fans will cease listening to in favour of only a select few songs. But I am practising honesty here, so the truth will out.

I have to say that listening to this album helped confirm me in my usual habit of using playlists to mix things up: an entire album of Dean Martin’s rat-pack charm and oozing vocals is like swimming in a pool of melted marshmallows with leg weights on. It needs a blast of cold water every now and then just to balance things out.

However, it can be a good thing returning to tracks that rarely get an airing (and skipping over those that have been done to death. I think we can all thank McDonald’s for putting the final nail in the coffin of That’s Amore). One track placed in mothballs is the insouciant Naughty Lady of Shady Lane, which for all money sounds like Mr Martin is singing about the local prostitute;
You should see how she carries on with her admirers galore
She must be giving them quite a thrill the way they flock to her door
She throws those come-hither glances at every Tom, Dick and Joe
When offered some liquid refreshment the lady never, never says no
It may surprise you to learn in the last line of the song that the she-devil is revealed to be only nine days old. (Laugh, we did!! Though awkwardly.) Grab the naphthalene flakes honey, that one’s going back in the linen press.

The 50s must have been a confusing time for lovers. In one breath Dean Martin comes out with the vaguely insulting You’re Nobody Till Somebody Loves You before following up in the next with Somewhere There’s A Someone (For Everyone), thus returning a glimmer of hope to all those loser nobodies he first mentioned. Confusing also for the young doo-whoppers was that the very sound of Dean’s voice comes across as the early incarnation of Rohypnol.

But really, all we can hope for from Dean is to mix some of his VERY best – Volare, Sway, Ain’t That A Kick in the Head – with some of his contemporaries’ best in a themed playlist called, I don’t know, maybe “Smoothies”. (I’m just spit-balling. Who’d have a playlist called that?!)

Day 5: E is for Electric Light Orchestra, The Very Best Of

Another Best Of. In all honesty, apart from Xanadu, did ELO even have any other albums? Actually, they didn’t even have Xanadu, as our Livvy got the title song.

Anyway. When I started the silliness of working through my iTunes Library I was quite clear about my taste in music and its potential absence. I’m sure you can draw your own conclusions about ELO, but I never tire of them, for better or worse. I am relying on arguments of subjectivity here, but I think if one person who finds something cool can find just one other person who feels the same way, then that thing CAN be cool. Even if it’s just a community of two. Anyone? Anyone? ELO?

The reasons I love ELO are many. I’m pretty sure my sister got the album for one of her formative teen birthdays, so it connects pretty strongly to my impressionable childhood. Osmosis from older siblings is a powerful thing. Also, whenever a movie wants you to feel happy they bang a bit of Livin’ Thing, Don’t Bring Me Down or Mr Blue Sky on the soundtrack. But what really impresses me is a song that can get me off the couch to get stuff done, and Hold On Tight works for me. I especially like trying to sing the French bit phonetically, as I have no idea what I’m singing (perhaps the verse but in French? Logical):

Accroches-toi a ton reve
Accroches-toi a ton reve
Quand tu vois ton bateau partir
Quand tu sents -- ton coeur se briser
Accroches-toi a ton reve. Accroches-toi a ton reve
Accroches-toi a ton reve
Quand tu vois ton bateau partir
Quand tu sents -- ton coeur se briser
Accroches-toi a ton reve.

I think they just put it in because they’re Brits and they wanted to sell albums in Europe. They probably needn’t have worried, as films are still using their songs – American Hustle is probably the most recent source of royalties from 10538 Overture and Long Black Road. So ELO are still kickin’ it. (Do people say that? Remember, two people makes it cool).